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Alice Straker arranges the sardines with the same casual confidence found in her wider work
poster-style composition where warm amber and dusky blue divide the scene into clean horizontal bands
The minimal approach gives the composition generous breathing room
The result is abstract painting that genuinely rewards sustained attention
Retrodrome's Bauhaus-inflected composition gives Snowdonia's rugged topography the same graphic weight you'd find in the great railway and national park posters of the 1930s and 1940s: stripped back
Oost-Indische kers by Julie de Graag June Picks Alice Straker arranges the sardinesOost Indische kers (Nasturtium) shows Julie de Graag working at the intersection of close botanical study and pure graphic design. The round, shield like leaves are arranged with deliberate asymmetry, their overlapping forms creating a layered rhythm across the picture plane. Engraved on end grain wood, the lines achieve a fineness rarely possible in the medium stems, veins, and petal edges rendered with the control of an illustrator and the boldness