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Nikolay Lapshin and Mikhail Le Dentu
we should see fascism as a mutable process
How can intersex anatomies challenge the rigid binaries of traditional medical education
A mosaic of ethnic and religious groups
to see in the dark
La Nonpareille / The Incomparable AI Nikolay Lapshin and Mikhail LeLa Nonpareille expands on Batia Suters site specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter reworks the material into a visual reflection on the entanglement of humans and
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