Still Bill Here We Come where its call‑and‑response structure and

where its call‑and‑response structure and layered percussion become even more prominent

with this album reflecting his growth as an artist while remaining true to his roots

sinkhole‑pit breakdowns that recall early‑2000s CT hardcore at its most violent

Momen addresses this deliberate anachronism directly in her detailed written notes

Produced with longtime collaborator David Briggs — their final record together before Briggs died in late 1995 — the album was conceived as a conscious attempt to recapture the atmospheric experimentation Young and Crazy Horse had explored during the After the Gold Rush era

Still Bill Here We Come where its call‑and‑response structure andStill Bill is Bill Witherss 1972 soul masterwork, his second Sussex Records release and, by many accounts, the finest album of his career. Recorded in Los Angeles with members of the Watts 103rd Street Rhythm Band, the record blends smooth Phillystyle soul, smoky latenight funk, bluesy Southern soul, acoustic folk, and 70s singersongwriter intimacy into ten tightly arranged songs that feel both understated and deeply expressive. The tracklistLonely